Juli moves to the big city in order to take up a job in a factory, and on the very same day the foreman János asks her to marry him. Alas, communication between the two is rough going from the very start – their visions of how life together is supposed to look divide them. János can’t find it in his heart to accept Juli’s yearning for independence or her past. In raw images that portend an almost predetermined conclusion with their social-realist tone, the film shows Juli’s resistance with all of its consequences – she decides to have her baby all on her own. In the end, we witness the actual delivery of Juli’s (in reality of course actress Lili Monori’s) child, the first birth to be shown in a film in Europe. Nine Months was honoured with the Fipresci Prize (Parallel Sections) in Cannes in 1977. 　　Since my first film « Cati », I have been obstinately inquiring about women with well defined personalities, able to make decisions in an independent manner, although at that time « feminism » was not really in vogue. It has now become so. The heroine of my film is one of these women. She is lucid, self-relying, and responsible. She tells the man who loves her that he must accept her as she is, with her past life, her experiences, her already formed personality. - Marta MESZAROS

Juli moves to the big city in order to take up a job in a factory, and on the very same day the foreman János asks her to marry him. Alas, communication between the two is rough going from the very start – their visions of how life together is supposed to look divide them. János can’t find it in his heart to accept Juli’s yearning for independence or her past. In raw images that portend an almost predetermined conclusion with their social-realist tone, the film shows Juli’s resistance with all of its consequences – she decides to have her baby all on her own. In the end, we witness the actual delivery of Juli’s (in reality of course actress Lili Monori’s) child, the first birth to be shown in a film in Europe. Nine Months was honoured with the Fipresci Prize (Parallel Sections) in Cannes in 1977. 　　Since my first film « Cati », I have been obstinately inquiring about women with well defined personalities, able to make decisions in an independent manner, although at that time « feminism » was not really in vogue. It has now become so. The heroine of my film is one of these women. She is lucid, self-relying, and responsible. She tells the man who loves her that he must accept her as she is, with her past life, her experiences, her already formed personality. - Marta MESZAROS

印度德里一年一度的最盛大比赛即将开始——幼儿园招生，1400所将要发放报名表的学校当中，排名前五的名校入学名额相当紧俏，很多父母从怀孕时就做准备，却也有服装店老板拉吉 （ 伊尔凡·可汗 饰）和妻子米塔 （ 萨巴·卡玛尔 饰）这样临时抱佛脚的父母。米塔坚持不能让孩子输在起跑线上，于是夫妻俩试图跻身上流社会、试图托关系走后门、试图获得神明保佑，甚至不惜铤而走险使用非常手段，想尽办法追逐高耸的入学门槛。而当他们费劲心思终于要将女儿送进名校时，事情却又发生了意想不到的变化 。

一对印度的中产阶级夫妇:服装店老板拉吉（伊尔凡·可汗 Irrfan Khan 饰）与太太米塔（萨巴·卡玛尔 Saba Qamar 饰）为了让女儿皮娅（蒂希塔·塞加尔 Dishita Sehgal 饰）接受更好的教育想尽了各种办法。而当他们费劲心思终于要将女儿送进名校时,事情却又发生了意想不到的变化……

北京电影学院2004届文学、摄影、美术、录音、管理系、理论室毕业生毕业联合作业。20分钟35mm彩色杜比数字立体声故事短片。 　　编剧：张 建 　　导演：张 建 　　摄影：劳业辛 袁佳平 　　美术：裴 晏 　　录音：孟佩从 周 磊 　　制片：阎 园 　　（http://www.bfa.edu.cn/jfjg/2004-01/26/content_10092.htm）

北京电影学院2004届文学、摄影、美术、录音、管理系、理论室毕业生毕业联合作业。20分钟35mm彩色杜比数字立体声故事短片。 　　编剧：张 建 　　导演：张 建 　　摄影：劳业辛 袁佳平 　　美术：裴 晏 　　录音：孟佩从 周 磊 　　制片：阎 园 　　（http://www.bfa.edu.cn/jfjg/2004-01/26/content_10092.htm）

一对失去父母的兄弟相依为命，以打劫货物为生，却不料被一位来到乡村寻找长跑运动员的田径教练相中、纳入麾下。面临着艰难的考验和突如其来的意外，两兄弟能否在马拉松比赛中打败强劲的对手，取得成功？

一对失去父母的兄弟相依为命，以打劫货物为生，却不料被一位来到乡村寻找长跑运动员的田径教练相中、纳入麾下。面临着艰难的考验和突如其来的意外，两兄弟能否在马拉松比赛中打败强劲的对手，取得成功？